WHEN John Patrick Shanley steps into a Midtown Manhattan hangout known for its theater clientele, few would guess how much he belonged.
There is little about his sure gait, workingman hands or no-nonsense affect that flicks at the artist within, let alone a playwright, often the more delicately wrought of the species. Only the eyes, weakened by glaucoma but working, suggest anything other than a tough guy from the Bronx. And in that gaze he is constantly calibrating everything around him, seeing a great deal and concluding not much.
“It’s an important part of my personality that I continually adjudicate, but I never reach a verdict,” he explains.
If Mr. Shanley, 58, more resembles a craftsman — the wizened, handsome contractor — it only makes sense. He builds stuff, including “Doubt,” a cultural artifact so sturdy that it not only became a Broadway achiever, winning a Tony for best play, but a film staring Meryl Streep and Philip Seymour Hoffman that is among the mentioned in this year’s Oscar race. By the way, he already has one of those for writing the 1987 film “Moonstruck.” He’s been building and telling stories for a while. Read more..











