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The Bronx Is More Than Just Yankee Stadium

The Bronx Is More Than Just Yankee Stadium

THIS season is your last chance to catch a game in the old Yankee Stadium, before the House That Ruth Built is replaced by its modern cousin across 161st Street, the House That Steinbrenner and Taxpayer Subsidies Built.

That means a lot of first-timers will be heading into town and up to the South Bronx, and they might have no idea what else there is to see and do around the stadium. They shouldn’t feel bad: most lifelong Yankees fans who have been up there hundreds of times don’t know, either.

That’s in part because the area still suffers the hangover of decades of bad press. But Howard Cosell is dead, the Bronx isn’t burning, and sticking around after the game does not have to mean crowding into beer-soaked bars across the street from the stadium.

You don’t even have to go very far; you’re only three blocks away from the Grand Concourse, the once-stately, still-impressive thoroughfare that in its day was a most desirable address. It’s working-class these days, but you can still sense the grandeur in the sheer width of the 11-lane road and the architecture that lines it.

Not far from the stadium, at the intersection of 161st and the Concourse, are the Bronx County Courthouse (a handsome but imposing fortress), Joyce Kilmer Park (a spot to picnic on jerk chicken from the nearby Feeding Tree restaurant or a bresaola panini from the Press Cafe) and the former Concourse Plaza Hotel (once full of Yankees and politicians).

But the Concourse is best known architecturally for what is often called the biggest concentration of Art Deco buildings outside Miami. Walking north from 161st Street you’ll find at least one gem every few blocks, but be sure you walk at least the half-dozen blocks to 1150 Grand Concourse, the apartments known as the Fish Building for its aquarium mosaic. It’s enough to make you think (for a moment, anyway) that you’re in South Beach, not the South Bronx.

Ambitious Art Deco buffs could keep going for miles (on foot or by bus), all the way to Fordham Road past the old Loew’s Paradise, and cut east to eat in the Bronx’s Little Italy. Or keep going to the Edgar Allan Poe Cottage, the slightly relocatedoriginal house where the poet retreated in what was, in the mid 19th century, bucolic hinterlands.

Your other option is to head south from the stadium down to Mott Haven, home to an ever-growing artists’ colony. (The closest train from Manhattan is the 6 train to 138th Street, but from the stadium take the 4 to 138th and walk east to Alexander Avenue.) The area has long been known for its antiques shops, which attract visitors from Westchester County and beyond, but now there are also arts spaces to check out, places to eat and even a new place to party.

Art makes its way into weird places in Mott Haven. Haven Arts recently moved into a 2,500-square-foot space in a former linoleum store (check out the freight scale built into the floor) and is currently showing “NY Press,” an exhibition of New York photojournalists from The New York Times, The Daily News and other publications. It also holds free painting classes from 5 to 8 p.m. on Thursdays, usually with a nude model.

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Bronx Museum of the Arts set to open Arts Education Center

Bronx Museum of the Arts set to open Arts Education Center

The Bronx Museum of the Arts will dedicate its Arts Education Center in a special ceremony next week.

The 3,000-square-foot arts center is housed in the museum’s new North Wing, built in part to expand education programs for youth and families.

Education programs include the Interpretive Art Program and Student Docent Program for visiting schools, Teen Council, Media Lab and Design Lab for after-school youth and Family Affair for children ages 5 to 11 and their parents or guardians.

The event will feature a commemorative plaque presentation to Rep. José Serrano for his support of the museum’s education programs and the arts.

The dedication will take place at 3 p.m. May 31 at the museum’s North Wing entrance at 1040 Grand Concourse.

SOURCE: NYDailyNews.com

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Mom’s apple tree being preserved at Bronx Museum of the Arts

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Mom’s apple tree being preserved at Bronx Museum of the Arts 

Holly Block, executive director of the Bronx Museum of the Arts, shows off apple tree being preserved in expansion efforts.

Holly Block, executive director of the Bronx Museum of the Arts, shows off apple tree being preserved in expansion efforts.

Beauty parlor owner Rose Bell Rufus left her life-long home in Texas in 1963 to join her children, who were attending college in New York City.

After bouncing from apartment to apartment, she finally put down her permanent roots in the Bronx in 1970, buying a three-story house at 1040 Grand Concourse.

Little did she realize that an apple tree she planted in her backyard garden to bring a bit of her native Texas with her would someday grow to become a museum centerpiece.

As the tree grew from a sapling to a fruit-bearing adult, the synagogue next door was transformed into the borough’s first art museum. Its popularity grew, and by the time Rufus was diagnosed with cancer in 1990, tourists were flocking to the neighboring Bronx Museum of the Arts.

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Turning Stereotypes Into Artistic Strengths

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Turning Stereotypes Into Artistic Strengths 

“More, please” has been the critical response to “WACK! Art and the Feminist Revolution,” the survey of pioneering feminist art currently installed at P.S. 1 Contemporary Art Center. The Bronx Museum of the Arts anticipated the demand with “Making It Together: Women’s Collaborative Art and Community,” which focuses on the groups and collectives that linked feminist art to a larger social context.

Organized by the critic Carey Lovelace, “Making It Together” occupies part of the lobby and a small adjacent gallery. Conventional art objects are few and far between: pink-painted walls display archival photographs, manifestoes and other ephemera. The show is much smaller than “WACK!” but includes a wealth of historical material, much of which would be better served by a book or documentary film.

The theme is timely, at least; the current Whitney Biennial is rife with collaborative projects. For female artists of the ’70s and ’80s, collective practice had several advantages. In keeping with the anti-authoritarian spirit of the times, it played down the roles of the individual artist and the marketable artwork. It also turned the stereotype of women as inherently conciliatory and cooperative into a source of strength.

The consciousness-raising session generated ideas for artworks like the “Womanhouse” (1972), an installation created in a rundown Hollywood mansion by students of Judy Chicago and Miriam Schapiro at California Institute of the Arts. Documentation of the “Womanhouse” in “Making It Together” includes a photograph of Faith Wilding’s wall of crocheted spider webs (a recreated version can be seen in “WACK!”).

Art, especially performance art, was inseparable from activism. Leslie Labowitz and Suzanne Lacy’s “Three Weeks in May” (1977), a series of events including self-defense workshops and a performance on the steps of Los Angeles City Hall, raised awareness of sexual violence. “Making It Together” includes an installation documenting Ms. Labowitz and Ms. Lacy’s project, in which the word “RAPE,” stenciled in bold red letters, figures prominently.

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Born In The Bronx .. Hip Hop’s Baby Picture Album

Born in The Bronx cover

Born In The Bronx

Joe Conzo

Joe Conzo: Co-Author Of The Book Born In The Bronx

Born In The Bronx .. Hip Hop’s Baby Picture Album  

Joe Conzo accredited to being Hip Hop’s 1st photographer took a minute to talk it up with Talk Bronx about his new book Born In The Bronx and the book signing.

Through Born in the Bronx, Joe Conzo presents a unique cross-section of an explosive and experimental time in music history. Born in the Bronx is a striking anthology of Hip Hop’s baby steps. Not only does it capture the emergence of a burgeoning culture but also the fashion and character of the surrounding community through rare photographs of MC’s and DJs to records, flyers, and other ephemera.

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