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Increased Flow of Council Grants to Private Groups Leads to a Backlog

Increased Flow of Council Grants to Private Groups Leads to a Backlog 

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Speaker Christine C. Quinn said, “It’s fair criticism to say there wasn’t enough vetting of capital budget allocations” in the past.

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 The Northeast Bronx Development Corporation received City Council grants of $4.7 million despite a troubled financial history.

Increased Flow of Council Grants to Private Groups Leads to a Backlog 

An Orthodox Jewish school in Queens was to get $500,000 for a swimming pool. A social service agency in Queens plagued by financial mismanagement was set to receive $100,000 for a shelter and a van.

A nonprofit corporation in the Bronx that has filed only one tax return in nine years was to be granted more than $4.7 million for a housing complex, a community center and a hip-hop museum.

Every year, the City Council receives a huge wish list of requests for capital project money for local organizations. And in recent years the Council leadership has deemed some $500 million in projects worthy of public finance, even projects that are sometimes parochial, overly ambitious or sponsored by organizations with spotty financial histories.

Investigators reviewing Council spending have focused on grants that community groups receive to offset their operating expenses. But the capital budget that legislators use to finance big-ticket items like new buildings or buses is a larger pot of money: a half-billion dollars versus $360 million. And for years it has been shrouded in bureaucratic secrecy.

Once, council members rarely used their capital money to do more than finance a pet project within a city agency, perhaps road repaving in their districts. But increasingly, larger amounts of taxpayer dollars have been set aside for church groups, nonprofit groups and other private organizations, earmarked by council members to buy these groups equipment or renovations, or sometimes new buildings.

The practice has grown so expansive that the city has hired extra staff to shepherd the projects, which are often fraught with legal complications. Hundreds of groups approved for the money, meanwhile, have never received it. Some requests have been stalled because of constitutional questions over the separation of church and state, others because the groups did not have the financial or technical means to carry out the project — even with city aid. Many simply languished, yet remained on the books, year after year.

In fact, the backlog has grown so big that last year the Council and the Bloomberg administration stopped financing any new capital projects for private groups until they could develop a better way to choose which programs deserve the money.

“We really had to find a way to get this under control,” said Speaker Christine C. Quinn. “What was happening is the money was getting put in the budget and then it wasn’t moving, which is really a waste.”

The unspent money could have gone to schools or libraries or health clinics, Ms. Quinn said.

Advocates say it would be wrong, however, to view the broad expanse of capital spending on nonprofits as wasteful.

“Without city assistance, the not-for-profit sector would not be able to maintain the quality of facilities that are necessary to meet the needs of the poor and vulnerable citizens of New York,” said Ronald Soloway, director of governmental relations for the UJA-Federation of Jewish Philanthropies.

The city’s capital budget is meant to finance permanent improvements to its infrastructure, like new buildings or bridges, or expensive equipment like buses. As with the operating budget, the mayor’s office sets aside a portion of the capital budget for the Council to spend as it deems fit.

The Council spends most of its money on public schools, libraries and parks. But increasingly over the last five years, resources have been directed to outside nonprofit groups. The current capital budget shows at least 570 projects totaling more than $490 million, though the city no longer supports many of the projects.

Many of those projects that never came to fruition had sailed through a review process that required only minimal vetting and that the City Council used for many years to set spending priorities, according to city records and interviews. Only after the money was allocated and on the books did the vetting process really begin.

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Bronx History Project Awarded New York Council Grant

Bronx History Project Awarded New York Council Grant

baahpweb.jpg BAAHP staff members Mark Naison, Ph.D., Oneka LaBennett, Ph.D., and Brian Purnell, Ph.D.

Fordham University’s Bronx African American History Project (BAAHP) has received an $18,000 grant from the New York Council for the Humanities to support a series of public programs on the history of New York’s most underrepresented borough.

The funding represents the first major outside grant for BAAHP, which began in 2003 as a joint project with the Bronx County Historical Society to document the rich history of the borough’s 500,000 residents of African descent.

During the 2008-2009 academic year, Fordham’s Rose Hill campus will be the site of “The Bronx is Building: The Bronx as a Site for Political Mobilization and Cultural Creativity,” a series of 10 public programs featuring research, discussion and analysis of BAAHP’s work.

Programs will cover these topics: Jazz in the Bronx; Civil Rights Activism; Women and Bronx Hip Hop; African Americans in Bronx Politics; When Every Gym and Schoolyard Was Open; and The South Bronx: Crucible of Black-Latino Cultural Interchange; among others.

Among the featured program speakers are poet-rapper Caridad de La Luz, known as “La Bruja,” jazz scholar Maxine Gordon (wife of jazz legend Dexter Gordon) and Susanne Stemmler, Ph.D., from the Center for Metropolitan Studies of Technical University in Berlin. Stemmler will discuss hip hop cultures in the Bronx, Berlin and Paris.

“This grant provides us with a chance to showcase the types of research that we’ve been doing for the past five years,” said Brian Purnell, Ph.D. (FCRH ’00) co-research director of BAAHP and assistant professor of African and African American studies. “Nobody has really ever studied the black community in the Bronx in any systematic scholarly way. This project helps correct that omission and adds to the historic understanding of African Americans in New York City in general.”

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Hip Hop Birthplace Saved

Mary Fountain, a resident of 1520 Sedgwick in the Bronx is fighting to keep the building affordable to tenants. 1520 Sedgwick is credited as the birthplace of hip hop

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Hip Hop Birthplace Saved

A Bronx building where a young DJ pioneered hip-hop in the 1970s has been saved from a plan that would have moved it from affordable to market rate housing, Sen. Charles Schumer said Monday.

Last year, tenants of the building reached out to DJ Kool Herc after receiving word that the owner planned to leave an affordable housing program that would have opened the door to rent increases.

During the 1970s, DJ Kool Herc began spinning records at parties in the basement recreation room of the Sedgwick Avenue building. The hip-hop movement then spread around the world.

The 100-unit apartment building has been deemed eligible to be listed on national and state registers of historic sites.

The affordable housing program, known as Mitchell-Lama, offers owners incentives such as low-rate mortgages and tax breaks in exchange for charging tenants low to moderate rents for a certain period of time.

Schumer said the city Department of Housing Preservation and Development rejected the proposed sale to developer Mark Karasick because current rents could not be sustained if the sale had gone through.

“This very positive development is the first step toward preserving affordability” for all endangered Mitchell-Lamas housing, Schumer said.

The HPD’s decision paves the way for tenants to negotiate directly with the owner, the senator said. The tenants are working on a plan to buy the building.

SOURCE: NewsDay.com

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Helping The Bronx Homeless Through Spoken Wordz

Talk Bronx Exclusive Interview

dj disco wiz

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Images From The Event By Joe Conzo

Helping The Bronx Homeless Through Spoken Wordz 

Talk Bronx had a chance to speak with Hip Hops Legendary 1st Latino DJ Disco Wiz who is one of the co-founders of the Hip Hop Meets Spoken Wordz event held in the Bronx.  In its 3rd strong year of helping homeless Bronxites with clothing and food donated from folks with good hearts, Wiz is excited! Donations not only come from Bronxites, but from all over New York City.

Support from many local Bronx and city organizations is huge and Wiz says that Hip Hop isnt too far behind in support either.  The event hosts a variety of performances from old and new school Hip Hop artists. The event was formed by way of Old School meeting new school and keeping in touch with the community.

  • So tell us who you are and what you do.
    • My name is DJ Disco Wiz I am a first generation Hip-Hop pioneer credited for being the first Latino Hip-Hop DJ and Co-inventor of Hip-Hops first Mixed Plate (Dub Recording) With my partner Grandmaster Caz. I am a poet, activist, historian, and forefather of the culture we now know as Hip-Hop. I am the co-creator of the Hip-Hop meets Spoken Wordz Series and author of my upcoming memoirs “Its Just Begun” with Ivan Sanchez.

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Legendary Rapper Percee P Ready To ‘Crush’ The Mic Again

Legendary Rapper Percee P Ready To ‘Crush’ The Mic Again

Legendary Rapper Percee P Ready To ‘Crush’ The Mic Again

The path to South Bronx rapper Percee P’s 2007 debut is one forged over three decades in the rap game, writes Dan Rule.

IT’S 1973, maybe ‘74, summertime, and a four-year-old John Percy Simon is sitting by his open bedroom window, high atop the Patterson Housing Projects in South Bronx. A warm breeze flits through the window, carrying voices and music — pulsing, kinetic beat repetitions, soul and funk charged instrumentals looping back around and around to the same energy-charged starting point.

Little does he know he is witnessing the beginnings of something far bigger than any of its pioneering Bronx proponents — DJ Kool Herc, Grandmaster Flash and Afrika Bambaataa, to name a few — could have ever imagined.

Now 38 years old, the man behind the 28-year-long street-level myth that is MC Percee P says the memory is as fresh as ever.

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