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Bronx Students Scramble To Find School

Bronx Students Scramble To Find School 

Parents are stunned to find their children shut out of the Bronx Early College Academy due to building size accommodation.

New York City’s Department of Education said in a letter to parents that it could not find a building big enough to house the increasing number of students. A department representative said that splitting the school in two is one of the proposed solutions.

Parents and teachers have said the academy has been struggling due to a shortage of resources, support and leadership, reported the New York Post.

The academy opened in 2006 for students in grades sixth and seventh and was to expand this year to include grades up to twelfth. Officials expect to reopen the school for its first class of ninth graders in 2009, but parents are doubtful.

In the meantime, the department has recommended that eighth-graders apply to other schools.

A part of the Bill & Melinda Gates Foundation’s Early College Initiative, the Bronx academy was created to prepare middle-school students for college courses by earning course credits through advance placement. The school is supported by the City University of New York and partnered with Lehman College.

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Living In | Bedford Park, the Bronx: A Friendly Bustle, With Oases Nearby

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A Friendly Bustle, With Oases Nearby

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IT was either the Bronx or Queens.

Jason Velez, 32, a financial adviser, and his girlfriend, RoseAnn Monterroso, 28, a consignment shop manager, had decided to move in together. He owned a one-bedroom in Bedford Park and worked nearby in Belmont. She owned a one-bedroom in Jackson Heights and commuted to Midtown.

They looked in Queens but decided they would get more for their money in Bedford Park — whose proximity to public transportation and major highways provides easy commuting to both Manhattan and Westchester.

“There’s the Bronx stigma,” said Mr. Velez, who grew up in Parkchester. “I thought it would be hard to convince her, but the more she saw, she started liking it.”

She sold her place, he sold his, and they bought a two-bedroom in his co-op on East 201st Street for $178,000. They plan to redo the bath and closets with a custom job, not prefab units.

“We’ll take the extra money,” Mr. Velez said, “and instead of buying something we don’t like, we’ll create something we do like.”

But Bedford Park is about more than affordability to Mr. Velez. It’s about friendliness. For instance three weeks ago his broker, David Abreu, who lives next door, visited a Manhattan comedy club to witness what Mr. Velez had billed as his first foray into stand-up. (In fact, Mr. Velez is no comedian: halfway through his “set,” he pulled Ms. Monterroso onstage, dropped to one knee and proposed. She said yes.)

Once heavily Irish and Jewish, Bedford Park in the 2000 census was 58 percent Hispanic, 17 percent white, 13 percent black and 7 percent Asian. There is a large mix of new arrivals, among them Guyanese, Albanian and Vietnamese. A Korean commercial strip occupies a block of East 204th Street.

John Dhauraj, a Guyanese immigrant who has owned a three-bedroom house on East 203rd Street for 19 years, was chatting one recent afternoon with a neighbor, Cholelle Miranda, who grew up locally and rents a place in a six-story brick apartment house two doors down. Their block is typical: tree-lined and backing up to the woodsy Mosholu Parkway, with early 20th-century single-family and multifamily houses sandwiched in among apartment buildings.

“This block is still a community,” Ms. Miranda said, and Mr. Dhauraj added, “We look out for each other.”

Like many in this middle-class area, both feel pinched by the economy.

“Let me put it to you this way,” said Mr. Dhauraj, 63, who used to work in building maintenance. “Since I retired, I got to look at the pennies. When I was working, I never looked at pennies.”

Fortunately, Mr. Dhauraj bought before the wave of subprime lending. The Bronx is the seventh-ranked county in the nation for foreclosure-related decreases in home values, according to the Center for Responsible Lending.

But several factors insulate Bedford Park. Rental apartment buildings, which constitute a majority of housing here, are mostly immune. Typical homeowners have lived in their homes for a long time, so are less susceptible to the recent proliferation of risky loans.

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Dr. Ruth Enters Bronx Walk of Fame Despite Having Never Lived There

Dr. Ruth Enters Bronx Walk of Fame Despite Having Never Lived There

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She is a world renowned sex therapist. She is a beloved figure across the City and the world. Dr. Ruth Westheimer is many, many things.

But one thing she is not is a native of The Bronx. In fact, Dr. Ruth has never lived in The Bronx.

But that’s not stopping organizers of this week’s Bronx Week celebrations, which are put together by the office of Bronx Borough President Adolfo Carrion Jr. At a press conference at the University Heights Bridge last week, Carrion announced this year’s inductees to the Bronx Walk of Fame, making a point to note Dr. Ruth’s Bronx bona fides.

“There’s a lot of very interesting people that come from The Bronx,” said Carrion. “One of them is somebody who has become known the world over for talking about a topic that we all really care about.”

Carrion added, mimicking Dr. Ruth’s famous accent, “She is Dr. Ruth Westheimer.”

Dr. Ruth is a well-known and long-time resident of Washington Heights, something Carrion acknowledged during his introduction. But no one had ever before heard that she lived in The Bronx.

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Ladies And Gentlemen,The Bronx Is Choking!

Ladies And Gentlemen,The Bronx Is Choking!

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One in four children in Hunts Point has asthma—an epidemic GABRIELE STEINHAUSER blames on environmental racism.

At first Tanya Fields thought it was just a regular cold.

For three days in November of 2004, her 5-month-old daughter, Trist-Ann, had been wheezing and coughing. It seemed like she was choking. Eventually the coughing fits became so bad that the little girl was vomiting; she couldn’t hold anything down. When her doctor failed to get Trist-Ann to breathe more easily, he told the young mother to take her to the emergency room. By the time they reached St. Luke’s Hospital in Manhattan, Trist-Ann had fluid in her lungs. The diagnosis: pneumonia.

The doctors told Fields that her daughter could have drowned from the inside. The next four days and five nights, she did not leave her Trist-Ann’s side at the hospital, while her other daughter Taylor, who was two years old at the time, stayed with her parents in Harlem. It was the first of many trips to the emergency room for Fields, a 27-year-old office worker.

A few months later, Trist-Ann was back in the hospital, again with pneumonia.

At the age of 1, she was diagnosed with asthma.

In other parts of New York City, such a diagnosis might have been a surprise, but not where Tanya Fields and her two children live. In their neighborhood of Hunts Point, a small peninsula on the southeastern tip of the Bronx, one in four elementary-school children suffers from asthma.

Three decades after President Jimmy Carter’s famous walk past the abandoned buildings on Charlotte Street, a new epidemic has taken hold of the South Bronx. Public schools have their own asthma clinics, nebulizers ready to help students breathe when they start gasping for air in class. And while urban planners and public health specialists are still struggling to find the cause for the community’s disturbingly high asthma rates, for parents like Tanya Fields there is no question that it’s the air they breathe that makes their children wheeze.

Every week, according to citizens’ groups that monitor the site, up to 60,000 trucks take a turn off Bruckner Expressway and cut through the neighborhood’s small residential section (its current population is 47,000) to reach Hunts Point’s industrial sector, an area that plays a crucial role in New York City’s metabolism. On the peninsula’s 690 acres sit the world’s biggest food market, at least four private waste-transfer stations, a wastewater treatment plant and the New York Organic Fertilizer Company: a plant that turns half of New York City’s sludge (the solid material that is extracted from wastewater before it flows back into the city’s waterways) into fertilizer pellets.

Sometimes, residents say, they can smell the odors emerging from the plant at a distance of almost two miles.
Hunts Point represents an often-ignored dilemma of urban life: Where large numbers of people live together, they produce waste—waste that needs to be collected, transported, reused, recycled or disposed of. All too often that happens in poor communities of color—that is, communities like Hunts Point, where, in 1999, 97 percent of residents were Hispanic or African American and the median household income was $17,612 (less than half that of New York City as a whole). In September 2005, the Associated Press, in an analysis of data from the Environmental Protection Agency, found that African-Americans were 79 percent more likely to live in a neighborhood where industrial pollution is suspected of posing the greatest health risk. In many places, Hispanic and Asian minorities also suffered disproportionate impacts.

For activists around the country, this unequal distribution of waste-processing facilities has a name: environmental racism.

It was to achieve a measure of environmental justice that the New York City Planning Commission passed the so-called Fair Share Criteria in 1991, which stipulated that the benefits and burdens of municipal facilities should be allocated equally across neighborhoods. Three years later, in February 1994, President Bill Clinton issued an executive order demanding that all federal agencies make environmental justice part of their mission.

And yet, 13 years later, at a time celebrities drive hybrid cars and talk of global warming and sustainability has won Oscars and Nobel Prizes, the struggle for environmental justice is far from over. Instead it continues, largely unnoticed, in places like Hunts Point, where the stage is much less glamorous. Here, the scene is set by a city that wastes, a neighborhood where people tend to mind their own business and a system of asymmetric political powers, where the theory of laws and regulations sometimes remains at a great remove from everyday practice.

It was in the summer of 2003, a few months after she had moved into her small, one-bedroom apartment on Fox Street, that Tanya Fields first noticed the smell. Heavy and inescapable, like a mix of chicken manure and rotting meat, it hung in the air, seeping through the cracks between window and air conditioner, forcing her and her little daughter to sit inside on hot summer days.

Her neighbors knew nothing about the odor’s origins. “The community had internalized the smell,” Fields recalled. “When it happened they covered their noses and their mouths and waited for it to pass.” What they did know was that the pungent smells gave them headaches and made them feel nauseous. On particularly bad days, the odor could even trigger asthma attacks.

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Bronx Opera Company Celebrates 40 years

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Michael Spierman, center, is seen with the cast of a 1980s Bronx Opera Company performance in this photographic collage prepared for the organization’s 40th anniversary this year.

Sitting on a comfortable couch in the Bedford Park apartment he has called home nearly all his life, Bronx Opera Company artistic director Michael Spierman mused that since his performing arts venture was launched in 1967, much in the borough has changed and yet much has remained the same.

Spierman, an affable and enthusiastic man in his 60s, who is an adjunct professor of music literature at Hunter College, started the Bronx Opera Company with a group of friends in the fall of 1967. Their intention, he said, was to gather music lovers together and give their neighbors in the borough a bit of culture through performances at community centers. They did that—and more. This Sunday, at a Riverdale fund-raising gala, what has become a cultural institution in the borough will celebrate its 40th anniversary.

“We were all musical devotees and basically had an idea that there was not a huge amount of cultural activity around the borough,” Spierman said, as No. 4 trains came and went outside the window behind him. “The object was to put on an opera or two and to have a good time.”

With an initial investment of $400, Spierman and his friends launched their pioneering 1967-1968 season with a performance of Mozart’s “Cosi fan tutte” on Nov. 24, 1967. Today, as the company prepares for its 40th May season, it relies on an annual budget of $270,000 to provide for a staff of about 120 that includes an orchestra, a chorus, set designers and stage hands.

“It’s peanuts for an opera,” said Spierman, who takes no salary for his work as the company’s artistic director. “I bet the Metropolitan Opera’s Con Edison bill is bigger than our budget.

“There is a certain insanity in doing this. Opera is a phenomenon that involves all of the arts if you think about it.”

Because opera requires so much—an orchestra, performers, sets and more—it’s difficult, Spierman said, when certain funding streams, be they public or private, dry up. Losing 25 percent of the company’s budget is almost insurmountable, he said, because he would have to make the difficult choice of deciding what to cut back. While Spierman said he could chose to make cuts to some of the company’s educational outreach programs, he said he would hate to do so because he’s committed to teaching people about opera.

“It is by nature a more expensive venture and takes a great amount of coordination,” Spierman said, explaining that about 40 percent of the company’s budget comes from corporate donors, foundations and contributions from individuals. Another 40 percent comes from the city and the state, but in these uncertain economic times, he worries that it may become increasingly difficult for the company to survive and thrive.

“What we don’t have is that huge funder who is extremely affluent,” Spierman said. “We have no one we can call and say, ‘We’re $50,000 short. Can you help us out?’”

Still, through the generosity of private donations and the continued support from state and city government, Spierman said, the Bronx Opera is able to mount at least two opera performances each year. The season begins in January with what Spierman calls “more obscure” opera performances and continues in May with more traditional pieces. Read more..

 

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